Benjamin A. Sunderlin
I believe the work represented here exists in a terminal; a point of intersection between various, disciplines, histories, and forms of critical study. Because this is a space where [ideas of] things both find an end as well as new directions in which to evolve, work conducted in this light usually involves critical reflection back upon itself and addresses the following:

1. The allowance of work to nominally exist as residual items of creation. (whether within artistic zones or not remains a matter of subjectivity as well as context.)
2. Permitting oneself to create in the accordance of a teleological structure that remains unchallenged.
3. To construct identities for things that they may not be (or need to be.)

Formal analysis may seem to produce a cohesive form of communication. I find that what results as a use of this method is a system of independently developed dialects in which content is privileged over subject matter. It is because of this belief that, I suggest a discursive view be taken when viewing/thinking about these things.

http://tranzit.org/curatorialdictionary/

terminus
noun ( pl. termini | or terminuses )
1 a final point in space or time; an end or extremity: the exhibition's terminus is 1962.
• Biochemistry the end of a polypeptide or polynucleotide chain or similar long molecule.
2 chiefly Brit.the end of a railroad or other transportation route, or a station at such a point; a terminal.
• an oil or gas terminal.
3 Architecture a figure of a human bust or an animal ending in a square pillar from which it appears to spring, originally used as a boundary marker in ancient Rome.
ORIGIN mid 16th cent. (in the sense ‘final point in space or time’): from Latin, ‘end, limit, boundary.’